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Fyrt\u00f8jet Skoleforestilling om den fremmede soldat, der t\u00f8r tro p\u00e5 mirakler<\/strong><\/span><\/p>\r\n „Der kom en soldat marcherende hen ad landevejen: \u00e9n, to! \u00e9n, to! Han havde sit tornyster p\u00e5 ryggen og en sabel ved siden, for han havde v\u00e6ret i krigen, og nu skulle han hjem. S\u00e5 m\u00f8dte han en gammel heks p\u00e5 landevejen.‟<\/em><\/span><\/p>\r\n S\u00e5dan starter H. C. Andersens kendte og elskede eventyr om den g\u00e6ve soldat, hundene med \u00f8jne s\u00e5 store som tekopper, m\u00f8llehjul og rundet\u00e5rn og med prinsessen og det halve kongerige.\u00a0Her er heks, prinsesse, dronning, gadedreng, soldat og ikke mindst de st\u00f8rste og s\u00e6reste hunde i litteraturhistorien.<\/span><\/p>\r\n ——–<\/p>\r\n Instrukt\u00f8r<\/strong>: Martin Nyborg<\/span> ——-<\/p>\r\n Link til interview<\/span><\/strong><\/span> ——-<\/p>\r\n <\/span><\/p>\n „Fyrt\u00f8jet af Aalborg Teater er fantastisk charmerende, og instrukt\u00f8r Martin Nyborg har endnu engang skabt en pragtfuld nyfortolkning af H.C. Andersens eventyr.‟<\/em><\/span> „Alt i at har Martin Nyborg igen gjort et fremragende job med sin nyfortolkning af eventyret.‟ „Martin Nyborgs iscenes\u00e6ttelse af H.C. Andersens Fyrt\u00f8jet er fremragende. Og selvom ideen oprindeligt var Andersens, s\u00e5 forvalter Martin Nyborg fort\u00e6llingen, s\u00e5 den \u2013 ogs\u00e5 \u2013 bliver teatrets egen. Han er tro mod eventyret \u2013 vi genkender historien \u2013 men ogs\u00e5 os selv og hinanden anno 2020. Det er eventyrgenrens almengyldige styrke, men den skal alligevel ofte have en k\u00e6rlig og kompetent h\u00e5nd, n\u00e5r man have onlinegeneration i tale. Og det har den f\u00e5et.‟<\/em><\/span> „… forestillingen er (red.) en perle, der b\u00e5de imponerer og fascinerer, mens den formidler H.C. Andersens mesterv\u00e6rk p\u00e5 en tilg\u00e6ngelig og medrivende m\u00e5de.‟<\/span> Nordjyske \u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f<\/span> ——–<\/p>\n Foto: Catrine Zorn<\/span><\/p>\n
\r\n<\/strong><\/span>Premiere: 30. januar 2019
\r\nAalborg Teater<\/span><\/span><\/em><\/p>\r\n<\/p>\r\n
\r\nScenograf:<\/strong> Mari Lassen Kamsvaag<\/span>
\r\nLyddesign:<\/strong> Jonas Hvid<\/span>
\r\nLysdesign:<\/strong> Kasper Daugberg<\/span>
\r\nKoreograf:<\/strong> Kasper Ravnh\u00f8j<\/span>
\r\nSkuespillere:<\/strong> Thomas Kristian Bek, Bolette N\u00f8rregaard Bang, Karla Rosendahl Rasmussen, Steffen Eriksen, J\u00f8rgen W. Larsen, \u00d8sten Borre Simonsen og Evrim Benli.<\/span><\/p>\r\n
\r\nKristeligt Dagblad, d. 2. februar 2019<\/a><\/span>
\r\nNordjyske, d. 25. januar 2019<\/a><\/span><\/p>\r\n
\nKulturen.nu \u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f<\/span><\/p>\n
\n<\/em>Migogaalborg \u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f<\/span><\/p>\n
\nMinbynews\u00a0<\/span><\/p>\n
\nTeateravisen<\/span><\/p>\n
\nUngt Teaterblod \u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f<\/span>
\nScenekanten \u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f<\/span>
\nKulturkongen \u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f<\/span><\/p>\n